The Kintners Music

New Headphones, New Music!

I am checking out new headphones and catching up on listening while doing it. I came across this EP from 2020 I had to make a note of. That's what this is.

A word about headphones and me:

First, let me say, if you have had difficulty feeling comfortable with headphones on, me too! They're suction cuppy, they're clamped on my ears pressing them against my glasses. The noise-cancellation is often disorienting and uncomfortable. Not to mention, they often sound like speakers strapped to my ears. But that is over now. Now we have “open-back” headphones. If you relate to this paragraph at all, I urge you to give yourself some open-backs soon. Headphones got fun again.

The set I'm wearing is the Audio-Technica ATH-R50x.

Now, this EP, Fiver and the Atlantic School of Spontaneous Composition; You Wanted Country? Vol 1:

(This EP was listened to on Apple Music, but I found it other places as well.)

Country is evolving, that’s good!

The title of this EP indicates you are in for a country music experience. This is one thing I love about country music; it points out how language changes. This might have been country music in the ‘70s, but it's more rock now. This is like if Grateful Dead, Airplane, Creedence, and a whole host of other classic rockers made a country-ish album. I'm very cool with that concept.

Country Music means changing.. funny, but true!

Country Music changes like anything, everything. This hearkens back to a time when it meant something different than it does today. I hear folks complain about that with country music, but I think it's rad. I don't like modern country radio, but it's easy to see how it evolved, especially listening to stuff like this. I am a big fan of evolution, even when it applies to Country Music. It means “on the way to,” not “arrived.” Country is not at the end game. It's merely in transition. That's a comforting thought, considering how bad it sucks at the moment. Country Music could very well be much like the goofy adolescent that becomes a hero. It sounds very adolescent these days, why not?

You Wanted Country? Vol 1 is an opportunity for us to see growth. Maybe it’s growth in the wrong direction, but that is still valuable information!

What happened to impromptu? Did we mix that out?

You Wanted Country? Vol 1 is loaded with spontaneity. That is NOT typical in today's Country Music. There are kooky mixing decisions (looking at you, bass in left ear for one song) There are signs of impromptu up and down the thing. It's wonderful, but that's not “modern” Country.

Modern country is so tightly wound up and produced that it doesn't have any air. All the space is turned to brittle and static; there's no room for making anything up. In a very real sense, this EP is a breath of fresh air in saying, “to hell with that, but we still like country.”

The good country:

You Wanted Country? Vol 1 is a claim on the word “Country” I can get behind. It's loose, airy, has things sliding around and noodling all the time. It also has bizarre chord changes, terrifically interesting mixing, lush singing, witty words, and you can detect a care for the craft. This is the kind of CD that winds up on Antiques Roadshow someday. This is people, “people-ing.” That's Country Music, to me. I love that kind of Country.

Kelly